Brett Dennen - Darlin' Do Not Fear

20100116:
I decided that I would put a capo at the 8th fret instead of playing a barred C chord. And by rewriting the tab with respect to the 8th fret, you can move the capo to whichever key you want.

http://www.ultimate-guitar.com/tabs/b/brett_dennen/darlin_do_not_fear_ver2_tab.htm

Tuning:Standard

Modified to Capo on 8:

----Intro----

e|---------0------------------------------------|
B|----/1-------1---1/3--1-0--0----------0---1---|
G|------------------------------2p0h2-----------|
D|----------------------------------------------|
A|----------------------------------------------|
E|----------------------------------------------|

e|--3--3---1--0---------------------3------|
B|--------------3--1---0h1p0---------------|
G|-------------------------------0---------|
D|----------------------------2------------|
A|-----------------------------------------|
E|-----------------------------------------|

e|--1--0-----------------------------|
B|--------3--1--0h1p0-----0--1----1--|
G|---------------------1----(0)---0--|
D|--------------------------------2--|
A|-----------------------------------|
E|-----------------------------------|

(and Fill 1)
e|--3--3---1--0-------------------------------|
B|--------------3--1---0h1p0-------0-------1--|
G|------------------------------1----(0)---0--|
D|----------------------------------------(2)-|
A|--------------------------------------------|
E|--------------------------------------------|

20100819:
Just once. I perhaps disagree with my decision to put a capo at the 8th. It feels limiting. Although it makes it easy to see the overall structure of the tab.

20110324:
My notes above allowed me to play the intro somewhat fluidly, as it was merely playing the standard scale, starting at the eighth fret. I moved the notes that weren't in the scale to the nearest note in the scale, simply as a preference.

Singing along sounded weird, so I changed from playing just C C E7 E7 to C Am E7 Am.
Or I guess in the key it's Ab Ab C7 C7 to Ab Fm C7 Fm.

I just noticed that the same note that wasn't in the scale is what makes the C7 a C7 instead of a Cm7 (i.e, an E7 instead of a Em7). Playing C C Em7 Em7 sounds better than C C E7 E7. And playing it C Am Em7 Am isn't so bad. Though sometimes the C7 has the right sound to it. It might depend on the lyrics. Definitely sticking with just C C E7 E7 won't sound right, at least not to my ears.

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